Morstad’s vivid mixed-media have an imaginativeness to match Schiaparelli’s surrealistic designs (playing with a beloved uncle as a child, she soars amid the stars and planets of the cosmos) and feature splashes of Schiaparelli’s trademark shade of pink: “Bright, impossible, impudent, becoming, life-giving, like all the light and the birds and the fish in the world put together.” It’s a dramatic tribute worthy of its audacious subject. Schiaparelli’s passion for color and beauty never waned, and Maclear describes how, as a single mother in Paris, Schiaparelli discovered a community of artists-including Meret Oppenheim and Salvador Dalí-who helped foster her artistic identity.
The duo behind Julia, Child offers a bold first-person biography of designer Elsa Schiaparelli, beginning with her dreary childhood in Rome, where the bright colors of market flowers brought her joy in a family that dismissed her as ugly.
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